Mahalia Jackson - Newport 1958

barabara sounds sez:

I don't listen to a whole lot of gospel, virtually none it has to be said. In fact, I have more sufi or Buddhist music in my record stacks than gospel. But this is the one exception that proves the rule. Maybe it's because I saw the classic Jazz on a Summer's Day documentary at a highly impressionable age... Just the opening does it for me: "It is Sunday and it's time for the world's greatest gospel singer..." Damn right it is. Turn up the volume, especially on 'Didn't it rain.' Actually, no matter what day of the week, this really is an all-time classic.

amazon sez:

It was 1958 at the Newport Jazz Festival, and the announcer said it all: "Ladies and gentlemen... the World's Greatest Gospel Singer, Miss Mahalia Jackson." And, with that all-too-appropriate introduction, Jackson broke into a stirring rendition of "An Evening Prayer" that set the tone for a classic performance. Over the course of her 45-minute set, she performed pop-tinged numbers ("Didn't It Rain"), a few trad tunes ("I'm Going to Live the Life I Sing About in My Song"), and songs immersed with soul ("Keep Your Hand on the Plow"). On all of these numbers, Jackson's voice rang loud and clear, backed simply by piano and organ. Recorded at a time when her longtime fans were questioning her increasing fame and popularity, the "Queen of Gospel" proved shiningly, once again, that she still knew how to use her God-given gift of voice.

Charles Mingus - Mingus At Carnegie Hall

barabara sounds sez:

The great great Mingus jamming live with an all-star cast featuring five — count them — top sax players (Hamiet Bluiett was in the Mingus band at the time; the other four were guests), not to mention the greatest stritch player that ever lived... Enjoy it! You can tell the musicians themselves did!

AMG sez:

Atlantic Records, somewhat perversely, chose to release two performances from this concert that had the strongest aura of "jam session" about them. But the show included a solid opening set by the working band of the time, as well as a freer finale, all of which remains unissued. This is a fun 45 minutes, particularly for the jovial interplay between saxophonists Kirk and Adams, but in its released form, only hints at the strength of The Jazz Workshop in 1974.

an amazon reviewer sez:

This live recording captures the essence of Mingus' larger band excursions and is somewhat more improvised than many of his other larger band dates. For one the inclusion of Hamiet Bluiett adds a free sense that is not usually evident in a Mingus recording. Also the ever changing Rahsaan Roland Kirk equally adds color to this Mingus' lineup. The band takes Duke Ellingtons "C Jam Blues" and changes the whole texture and face of the song turning it into a partially improvised tour de force that features Bluietts baritone sax work and kirks tenor and stritch. The other tune is a masterfull take on "Perdido" and it is equally exciting. The amazing thing about this date is Mingus' ability to assemble the best players in jazz in one band and come up with something as good as this. I only wish that I had been there to witness this incredible live performance.

Track listing:

SIde 1. C Jam Blues (24:32)

Side 2. Perdido (21:53)

Personnel:

Charles Mingus bass; Georges Adams tenor sax; Hamiet Bluiett baritone sax; Don Pullen piano; Dannie Richmond drums

Guest artists: Jon Faddis trumpet; John Handy alto and tenor sax; Rahsaan Roland Kirk tenor sax, stritch; Charles McPherson alto sax

Recorded January 19, 1974 at Carnegie Hall, NYC

The Jazz Ministers - Sekumaxa

barabara sounds sez:

A fantastic share dropped in the comments for King Kong by boogieman. I don't have much info about this particular album — it's from a CD reissue, but I'm guessing this is from the Jazz Ministers' heyday in the 70s, with Victor Ndlazilwana.

I'll post more details as they come available. In the meantime, thanks boogieman!

There's more from the Jazz Ministers over at the ever-excellent Electric Jive...

The great Nomvula's Jazz Dance and Ndize Bonono Na?


update (Aug. 2011)...
I've been getting a few more clues and background info about this excellent album: 
It seems like it was first issued in 1975 on Gallo under the name 'Zandile'. There's a link to the original cover art here...


PS (Sept. 2011)
And now the original album has just been gone up on Electric Jive. Head over there now to snare this most excellent post! Lots more details about the personnel, who included the young Nomvula Ndlazukwane on piano and Johnny Mekoa on flugelhorn.

King Kong – All African Jazz Opera

barabara sounds sez:

The last of this series of S.African posts: the seminal jazz opera that launched the international careers – and extended exiles – of both Miriam Makeba and Hugh Masekela. This is the recording of the 1959 original cast (there was also an album from the London cast), from the CD reissue on Celluloid. It's more of an artifact than a must-listen but there are some fine tracks. And the first – Sad times, bad times – is a classic. It's also wonderful to hear Mama Africa in one of her earliest recordings... Essential!!

wiki sez:

King Kong had an all-black cast. The musical portrayed the life and times of a heavyweight boxer, Ezekiel Dlamini, known as "King Kong". Born in 1921, after a meteoric boxing rise, his life degenerated into drunkenness and gang violence. He knifed his girlfriend, asked for the death sentence during his trial and instead was sentenced to 14 years hard labour. He was found drowned in 1957 and it was believed his death was a suicide. He was 36. This musical was a hit in South Africa in 1959 and played at the Princes Theatre in the West End of London in 1961.

soul safari has a great post with lots more background here...

track list:

Sad times, bad times; Marvellous muscles; King kong; Kwela long; Back of the moon; Petal’s song; Damn him; Strange; Better than new; Mad; Quickly in love; In the queue; It’s a wedding; Death song

band

Joseph Rubushe, Hugh Masekela, Simon Chose (tp); Gwangwa Jonas (aka Jonas Gwangwa), Dougmore Slinga (tb); Mackay Devashe (ts, orchestration, arr, leader); Sylvester Phahlane (ts); Christopher Coka (bass s); Gwigwi Mrwebi (cl); Kiepie Moeketsi (aka Kippie Moeketsi) (as, orchestration, arr); Sol Klaaste (p, orchestration, arr); General Duze (g); Jacob Lepere (b); Ben Maoela (d); Stanley Glasser (musical d, orchestration, arr); Arnold Dover (choreography); Harry Bloom (book).

Spokes Mashiyane - King Kwela

barabara sounds sez:

Who knew you could make such joyful sounds on a pennywhistle? Nobody, until Spokes came along. He even developed a whole new way of playing the instrument. This is the classic sound that emanated from the townships in those vibrant early years of S.African jazz. Yeah, I like it a lot (though I'm not so keen on that dark, dour cover)!

slipcue.com sez:

Bouncy South African pennywhistle, or kwela, music from the leader of the Solven Whistlers, and frequent early collaborator with Miriam Makeba and the Skylarks. Mashiyane pretty much made the pennywhistle a popular sound, and few people could match him for the expressiveness he brought to such a seemingly limited instrument. For an all-instrumental album highlighting a fairly oddball sound, this disc is far more captivating than one might imagine. Recommended!

from the sleeve notes:

Born in Northern Transvaal, Spokes spent his days tending his father's cattle and, to while away the long hours, he tried his hand at the primitive African reed flute... [Later in Johannesburg] one of his first acquisitions was a genuine penny whistle – costing 4s.6d! ...The design of the South African penny whistle is the same as that throughout the world but, by placing the mouthpiece vertically against the side of his left cheek and by introducing an entirely new fingering system, he was able to produce a roundness of tone hitherto unknown with this limited musical instrument.

Some good background on Spokes and Kwela music here at the National Geographic...

And there a great post of Spokes' Sweet Sax, Sweet Flute up at electric jive...

Highly recommended!

Update:

Eectric Jive hs been digging! Check out the fantastic Spokes 78s just posted over here and here...

Township Swing Jazz - Vol.1

barabara sounds sez:

More of those infectious sounds from that golden age of township jazz. This one features plenty of musicians who went on to become some of the best known in/from the country. In case you don't know the background, the innocuous-sounding Father Huddlestone Band — set up by the anti-apartheid priest (and later archbishop) Trevor Huddlestone — was actually the crucible that Hugh Masekela and also Jonas Mosa Gwangwa emerged from. Legend has it Masekela started playing on a trumpet donated by Louis Armstrong (talk about passing on the torch!) — though others say the horn was scrounged from the Salvation Army. Whichever version you care to believe, jive in. And go the bafana bafana!

slipcue.com sez:

A stellar collection of South African pop music from the 1940s and '50s -- probably the best introduction to this style that you can find, and fairly easy to track down. American swing and pop vocal styles are gloriously transmuted into utterly delectable melodic forms -- the perfect thing to put on some day when you're down in the dumps and want to feel really, really warm and fuzzy. This disc features the best artists of the time, the recordings of many of whom are maddeningly impossible to find anywhere else. Especially cool are Miriam Makeba's original vocal ensemble, The Skylarks, and the beautiful pennywhistle music of groups such as the Solven Whistlers. This is a fun, fascinating album, and highly, highly recommended!

Track listing:

1. De Makeba - Mackay Davashe

2. Emaxambeni - Eric Nomvete

3. Pula Kgosi Seretse - Miriam Makeba

4. Daily Bread - Fred Mekoa

5. Daddy Wami - Ntemi Piliso

6. Tlhapi Ke Noga - Sam Maile

7. Ndenzeni Na? (What Have I Done?) - Father Huddleston Band

8. Darlie Kea Lemang - Mary Rabotapi

9. Lalelani - Miriam Makeba

10. Yiyo Le - Eric Nomvete

11. Malayisha - traditional

12. Makambati - Mackay Davashe

13. Good Time Boys - Kippie Moeketsi

14. Zulu Jazz - Christoph Songxaka

15. Ke Ya Kae le Bona - Dolly Rathebe

16. African Jive - Ntemi Piliso

17. Ndixolele - Miriam Makeba

18. Misfhane - Father Huddleston Band

19. Motsoala - Father Huddleston Band

20. Hamba 2 - Dugmore Slinger

the jazz epistles - jazz epistle verse 1

barabara sounds sez:

What a group, what a sound, what a classic! All the way from 1960 and it still has the power to get you up and moving! Dollar Brand (aka Abdullah Ibrahim), Hugh Masekela, Jonas Gwangwa, Johnny Gertze, Makaya Ntshoko and Kippie "Morolong" Moeketsi. Listen and rejoice!

There's a great review of this album and the musicians — with some fantastic photos too — at Hub Pages.

Global Rhythm Magazine sez:

The Jazz Epistles, whose core consisted of Brand, Kippie Moeketsi, Jonas Gwangwa and Masekela, had made the first South African recording by black musicians, Jazz Epistle: Verse 1, in 1959; they won first place at the first Cold Castle Jazz Festival two years later. But when given the chance to support the cast of the popular King Kong musical (in which Makeba was the female lead), they jumped on board to tour England. Curiously, less than 500 copies of Jazz Epistle were originally pressed, despite the group's overwhelming popularity. Subsequent reissues have made up for that.