The Teddy Charles Tentet

barabara sounds sez:

I'll come clean: I don't know much (well, I didn't until I lucked on this album) about the 'legendary' Teddy Charles. But I do know good album art when I see it. And I do know that if you've got arrangements of Gil Evans and George Russell, and you've got Art Farmer and Mal Waldron in the band, it's got to be more than just good. And it is. And looking at who he played with and produced (see down below), that's enough to want to make you explore his whole back catalog. Highlights (IMHO) on this album are The Emperor and the final track, the Russell number. 

amg sez:

Most of this CD features vibraphonist Teddy Charles heading an advanced tentet in 1956, a unit including the likes of trumpeter Art Farmer, altoist Gigi Gryce, tenor saxophonist J.R. Monterose, pianist Mal Waldron, and guitarist Jimmy Raney. The arrangements of George Russell ("Lydian M-1"), Gil Evans (a year before Miles Ahead), Jimmy Giuffre, Mal Waldron, and Charles are quite advanced but often leave room for some swinging spots. The final three selections on the CD are actually taken from a slightly later album. Of these, "Blue Greens" is a change of pace, a quartet outing for Charles, pianist Hall Overton, bassist Charles Mingus, and drummer Ed Shaughnessy. All in all, this CD is pretty definitive of Teddy Charles' more adventurous music of the 1950s and it grows in interest with each listening. 

atlas arts sez:

The legendary Teddy Charles, considered to be one of the great jazz vibraphonists and composers of all time, makes his Atlas debut with his tentet...The legendary performer has played with jazz icons such as Charlie Mingus, Charlie Parker and Miles Davis in addition to recording numerous albums. In 2008, after an extended hiatus in which Charles lived at sea, he returned full force to the jazz scene with performances in the US, a tour in the Netherlands and a new studio recording, Dances with Bulls.

Trivia: 

On the original album release, Art Farmer was listed under the peudonym Peter Urban.

Plenty more on Teddy Charles' current projects at
his own web site here...

Gil Evans Orchestra - Blues in Orbit

barabara sounds sez:

More big band madness as Gil embraces the rhythms of rock and fuses them with free (-ish) jazz charts. There's some really good stuff on here, especially the George Russell-penned title track, but I'm not sure it really adds up to a cohesive whole. That's probably because it's been welded together from two different sessions two years apart. Not (despite what Yawno says) a classic. But still mighty fine...

the guardian (John Fordham) sez:

An intriguing and overlooked curiosity from the great arranger/composer Gil Evans..., the German label Enja having remastered it and restored it to the catalogue. These eight pieces (recorded in 1969 and 1971) track the tentative and always cliche-free flirtations with jazz-fusion that marked Evans's later career - as well as his growing confidence in a looser, collective approach. Half of this programme features Evans's lightly sketched originals, including the brooding Variation On the Misery with its tremulous brass whoops over dark trombone chords, the free-jazz fanfare of Proclamation and the anthemic So Long, a vehicle for the rugged, hollow-toned tenor sax of Billy Harper. …a shade baffled, it's nonetheless a key piece in the Evans jigsaw.

AMG (Scott Yanow) sez:

Gil Evans's first recording as a leader in five years found him leading an orchestra that could be considered a transition between his 1950s groups and his somewhat electric band of the 1970s. Several of these charts, particularly his reworking of George Russell's "Blues in Orbit," are quite memorable, and Evans utilizes his many interesting sidemen, including the distinctive voices of trombonist Jimmy Cleveland, Howard Johnson on tuba and baritone, tenor-saxophonist Billy Harper and guitarist Joe Beck, in unexpected and unpredictable ways. A near-classic release...